The world breaks everyone and afterward many are strong at the broken places. But those that will not break it kills. It kills the very good and the very gentle and the very brave impartially. If you are none of these you can be sure it will kill you...
— Ernest Hemingway
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Hemingway's passage from 'A Farewell to Arms' demonstrates his famous stripped-down style. Written in response to World War I's horrors, it rejects abstract rhetoric in favor of concrete naming. The passage is both a writing lesson and a moral statement about honesty.
Concrete vs. Abstract:
Hemingway explicitly rejects words like 'sacred, glorious, and sacrifice' in favor of 'the names of places... the numbers of roads.' This makes abstract claims accountable to reality.Cumulative Sentences:
Long sentences pile up evidence: 'We had heard them, sometimes standing in the rain almost out of earshot...' The accumulation creates overwhelming weight.Moral Framing:
'Abstract words... were obscene beside the concrete names'—Hemingway makes a writing technique into an ethical position.Distrust big words. When language becomes inflated, it often hides rather than reveals truth. Stay concrete.
Chapter 1: Rhythm & Cadence
How writing feels when read aloud. Sentence variation. Musicality of prose.
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